§ MR. AGNEW (Lancashire, S.E., Stretford)
asked the Vice President of the Committee of Council, If he will appoint a Commission to make inquiry into the 561 alleged deterioration of water colour drawings at the South Kensington Museum; to further consider and report upon the best method of exhibiting such works to the public; the best means to secure their conservation; and also upon the action (if any) of the electric light on water colour pigments?
§ THE VICE PRESIDENT OF THE COUNCIL (Sir LYON PLAYFAIR) (Leeds, S.)
We have already made arrangements to enable Dr. Russell, F.R.S., and Captain Abney, F.R.S., to carry out an exhaustive series of experiments on the action of sunlight, diffused light, and electric light on the various pigments used by painters in water colours. When these are complete, we shall be in a position to determine whether a more extended inquiry is necessary, and a scientific basis will be furnished for such further inquiry. At the same time, I may inform the hon. Member (Mr. Agnew) that from the statements made by the officers who have had charge of the Water Colour Collections at South Kensington, I have reason to believe that the works there exhibited have undergone little, if any, change since they were received. The skylights are made of rolled glass, so as to break and diffuse the light, and have blinds under the glass. Every care is, and will be, taken of the pictures, compatible with that exhibition to, and use by, the public for which they were acquired, whether by purchase or gift. The conditions of bequest frequently enjoin that the water colours shall be exhibited as freely and openly to the public as the oil paintings.